I have an ambivalent attitude toward
superhero movies. On the one hand, I love seeing the icons of my childhood made
real and put on screen. On the other hand, I am usually disappointed by the
mediocrity of execution that makes up the majority of the genre, but then I
feel that way about most things that play squarely to an established audience.
Superhero movies, in my opinion, ought to be fun and inspiring.
To me, superheroes are like Greek myths
in that they are the personification of humanist ideals. They wear distinctive
costumes and behave in bold gestures. Subtlety is not part of their
presentation because their roots are in children’s entertainment, and the
subject matter is usually some variation on childish power-fantasies (being
super-strong or invulnerable to pain, for example). Bearing that in mind, I
think it’s fair to say that the potential for superheroes being fascist bullies
is almost unavoidable, which is why I tend to prefer the characters whose
motivations are either to help the disadvantaged or to take a stand against
oppression. I’m not a big fan of defenders of the status quo.
Of the films put out since 1978’s Superman: The Movie, only a handful, I
think, are really exceptional enough to be considered the best. I should admit
my bias right now: I’m not a fan of Marvel Studios because I think their stuff
is very predictable, formulaic and, frankly, more like really expensive
television than cinema; I just don’t believe there are any real stakes in a
typical Marvel movie because there’s always another episode coming. Warner
Brothers (owners of DC Comics) have generally made worse movies in recent years
than Marvel, it’s true, starting with Man
of Steel, but I’ll admit to a preference for DC as far as the characters
are concerned. To me, Spider-Man and the X-Men are the only Marvel properties
worth caring about, and their movies are technically not Marvel Studios
projects (until 2017’s Spider-Man:
Homecoming).
Here, then, is my list of what I think
are the best superhero movies, ones that stood out from the pack for bringing
something new to the table or doing it with more panache. I’ll place them in
chronological order because I can’t really put them in an order of preference.
1978 – Superman: The Movie
set the standard for these kinds of films to be taken as seriously as any
other, as opposed to the silly camp that defined the genre until then. An
all-star cast with some very seriously esteemed actors, a big-scale, big-budget
production and a preposterous resolution which almost derails the movie but only
passes because of the good will built up by the chemistry between the film’s
two leads, who could not be more perfectly cast. Richard Donner capably handles
an insanely complicated production for its time, giving the movie a light touch
that places it just outside of reality. It also has the best score, with John
Williams creating what might be the most stirring theme music ever. It’s not a perfect
superhero film, but it is the first and still a lot of fun to watch.
1989 – Batman,
directed by Tim Burton, no doubt made a huge mark on the genre. Before this,
Superman was the only really successful superhero film franchise, so it must
have been very risky to take such a dark turn with comic book material. It
perfectly suits the character, however, giving him a grandiose environment and
exhilarating theme music, while also proving there is more than one way to
treat the subject matter. However, for all the things it gets right, I feel the
script and the cast are too uneven and somewhat drag it down. I also think
Burton’s follow up, Batman Returns
(1992), is actually superior in terms of casting and execution, but suffered
from a ludicrous and illogical third act which compromised the rest of the
film.
2003 – X2: X-Men United
is a rare sequel that outshines its predecessor. A bigger budget and a richer,
more complex story go a long way to achieving that. I’ve always admired the
X-Men for the central premise of heroes sworn to protect a world that rejects
them. That is fertile ground for storytelling and this movie goes for the human
rights angle in a way that finally brings relevance and social commentary to
the genre, grounding the otherwise outlandish adventures in a world of authentic
injustice. I was equally impressed by the later sequel Days of Future Past (2014) and the recent stand-alone Logan (2017) for their similarly unexpected
depth, but this one gets the edge for being first. The three of them together,
I consider my personal X-Men trilogy.
Spider-Man 2 (2004)
was everything I ever hoped a Spider-Man movie could be. As a lifelong fan,
I’ve wanted to see Spidey on screen forever but felt the first Sam Raimi film
lacked substance outside of the origin story. This film is brilliant in my
opinion because it really spans an impressive range from comic book high
fantasy to kitchen-sink drama. It also features my favourite villain, Doctor
Octopus, whose portrayal by Alfred Molina is so beautifully tragic it overcomes
the inherent silliness of a man with four mechanical arms strapped to his back.
This movie gets so much right, it’s a shame none of the other Spider-Man films
have come close to reaching the same heights since.
The Dark Knight (2008)
is probably the best superhero movie ever made, in my opinion, because it has
the strongest themes and defies predictions, delivering real surprises and a
potent moral dilemma for a climax instead of the by-now usual vfx-heavy throw-down.
Every single player in the cast is excellent and the story deals very strongly
with the balance between order and chaos and questioning how far one is willing
to go in order to live up to one’s ideals. Unusually mature stuff for a
superhero movie and delivered with such style you don’t notice the film’s flaws
until long after it has made a lasting impression.
Wonder Woman (2017)
gets on my list because I feel it echoes Superman: The Movie in the strength of its cast and their chemistry
to overcome the film’s flaws, most especially the disappointing finale. Everything
up until then is great, with Patty Jenkins ably invoking the playful feel of
Donner’s original Superman, and Gal Gadot seems born to play the role. I think
the movie is culturally important and, even though it is far from perfect, it
presents something so new and exciting (a female-directed superhero movie
featuring a strong, capable heroine) that it deserves recognition for its
achievements. It’s also a hell of a lot of fun, until the overblown end-battle,
anyway.
That is my list of the superhero movies
that I consider the best of the bunch. I think they achieve more than the rest
of the genre even tries to go for. These are movies that are better than they
needed to be, and I love it when art transcends its limitations. As Marvel Studios
has proved, you can make millions out of mediocre fare and there’s nothing
wrong with the tranquility of the predictable, but I prefer movies that test
the boundaries of what you can do with the material. That’s what separates art
from craft.
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