Skip to main content

Film Review - Annihilation


Alex Garland, writer/director of Ex Machina, delivers another mature sci-fi film, this time about a platoon of scientist-soldiers sent in to investigate an area surrounding some kind of meteorite that is impenetrable to all scans and observations. Natalie Portman leads the all-female cast on a journey into surreal landscapes as they search for whatever lies at the heart of this zone called “the shimmer” and things take weirder and darker turns as the film progresses. I found a lot to like in the writing and the visual design of the film and I would have to say it’s good, but not great.

First of all, I really do love the esthetics of the movie, very colourful and pretty but also very creepy and unsettling sometimes. The film has a nicely strange tone, approximating the constant disorientation the characters are subject to while inside the shimmer, with everything taking on a quasi-hallucinogenic prismatic aura. There is a lot of gory violence but I thought it appropriate to the story which deals with shapeshifting, mutation and metamorphosis.

Also, I quite liked the characters and enjoyed spending time in the movie with them, though they aren’t entirely above cliché. There were some nice moments between each and I had a good sense of who they were and cared about them. However, some choices by certain characters felt a little dubious to me, like I had a hard time believing someone would go off alone despite obvious danger. That is something that always ruins a movie for me, and it happens here.

I loved a lot of the creepy visuals and ideas floated throughout the film, but one or two things were a bit silly even though they were clearly supposed to be eerie or gross. I found the ending, while logical enough, to be rather bland, if not slightly insipid. It could have been better, more interesting, less predictable, but that’s par for the course and the rest of the movie I quite liked, so I’ll forgive it. At least it didn’t insult my intelligence and there is something in it to think about after the film is over.

In my opinion, Annihilation is a well done (if flawed) creepy sci-fi/horror blend with some interesting ideas. I enjoyed the dualistic atmosphere of beauty and dread throughout the journey into the shimmer and found the characters very sympathetic, but I didn’t care much for the ending. Still, there is plenty here to recommend it and I would probably see it again.

Comments

Popular posts from this blog

Film Review - Tully

Writer Diablo Cody and director Jason Reitman team up once again for what amounts to a really great and unusual depiction of motherhood and how it can consume one’s identity. I found it to be honest, direct and heartfelt while also deftly avoiding cliché. It’s not a perfect film, but its flaws are tiny compared to its achievements and I would definitely see it again. Charlize Theron plays Marlo, an exhausted mother of three who is losing her mind trying to keep up with a newborn baby and a son labelled “quirky” by school staff, while her eldest daughter seems to be fairly capable of looking after herself (nice, given the challenges of the other two, but not entirely true). Her husband, Drew (Ron Livingston), struggles to make his career work and spends a lot of time on the road. Seeing her stressed out all the time, Marlo’s brother Craig (the always fun Mark Duplass) hires a “night nanny” for her so she can at least get a good night’s sleep while someone else monitors the kids. M...

Film Review - A Quiet Place

John Krasinski directs and stars with his wife Emily Blunt in this exceptional horror movie about a family trying to survive against predatory monsters who hunt by sound. The film is a terrific example of visual storytelling as the dialogue is suppressed to a minimum by the danger it represents to the survivors. It is also one of the most effective and high-tension suspense movies I’ve ever seen, with more intelligence and emotional power than are typical of the genre. The story begins several months after some sort of invasion by ill-defined, poorly understood but immensely superior predators which have effectively wiped out the human race. Those who have managed to survive have had to adapt to a virtually silent mode of living, walking barefoot everywhere, for example, or communicating by sign language. The eldest daughter, played by Millicent Simmonds, is indeed deaf herself, and the film uses its sound design very effectively to convey point of view of characters according to...