Skip to main content

Film Review - Tomb Raider


Alicia Vikander is the best and possibly only reason to see this movie. I’m not expecting Shakespeare from a film based on a video game, but I am expecting more action than dialogue. I liked the action sequences alright, but I don’t think there were enough of them, and the stuff between them I felt was kind of boring. Still, I did like seeing Alicia Vikander running and jumping and doing action-stuff, so the movie wasn’t a complete loss. I just wouldn’t recommend it.

The film sets out to be an origin story for Lara Croft and a search for her lost father which is bound up in a lame Raiders of the Lost Ark –type race for a powerful magical maguffin. I really don’t mind the predictability of the plot, and there is an argument to be made that these kinds of movies are all about delivering what the audience expects, but I don’t want to put up with long, melodramatic scenes or boring expository speeches. I want to see Lara Croft raiding tombs.

Alicia Vikander does a superb job with what is a pretty poor script and she has a terrific physicality which made the action scenes work despite how run-of-the-mill the staging often was. I didn’t much care for the backstory the film invented for her, either, but I would love to see Vikander play Lara Croft in a better movie that’s all about the adventure. Walton Goggins is fun to watch as villain Mathias Vogel, but that’s because Walton Goggins is fun to watch. Daniel Wu is also really good as Lara’s colleague Lu Ren, again because of a charm that outshines the lame writing.

There is one sequence that did stand out for me, and that is when Lara kills for the first time. I thought it was interesting for an otherwise typical action movie to take a moment and recognize that murder, even of a nameless henchman, is a big deal, and Alicia Vikander plays it really well. Unfortunately, the movie reverts fairly soon after to the usual level of casual murder that action movies are full of, and not all that remarkably staged, either. The scene from the trailer where Lara has to escape a crumbling airplane wreck perched precariously on a waterfall is the highlight of the film.

All-in-all, I didn’t hate the film but I didn’t really like it either. It was boring but highlighted by unexpectedly good performances doing the best they could with a leaden script. I’d say it’s about as good as the Angelina Jolie Lara Croft movies from 15 years ago, which is to say not very.

Comments

Popular posts from this blog

Retro Review - Paris, Texas (1984)

As a preteen I was obsessed with ALIEN and always took note of everyone involved, including the actors. Harry Dean Stanton’s most oft-mentioned film credits were always either ALIEN or Paris, Texas , so when he died last year I made a point of finally hunting down the latter which had been on my radar as long as my obsession with the former. I knew very little about the film, so when the opening credits said “written by Sam Shepard” I immediately became more interested. Then “directed by Wim Wenders” came up on screen and I was even more interested. I was pretty confident I was going to have a very good film experience. I was wrong only in that it exceeded my expectations. Paris, Texas is, in my opinion, beautiful, authentic, heart-felt, compassionate, moving and very mature: a great movie, in other words. The movie opens with Travis (Harry Dean Stanton) walking aimlessly through the deserts of Texas, apparently in some kind of mute daze. A local doctor finds him and a bus...

Film Review - A Quiet Place

John Krasinski directs and stars with his wife Emily Blunt in this exceptional horror movie about a family trying to survive against predatory monsters who hunt by sound. The film is a terrific example of visual storytelling as the dialogue is suppressed to a minimum by the danger it represents to the survivors. It is also one of the most effective and high-tension suspense movies I’ve ever seen, with more intelligence and emotional power than are typical of the genre. The story begins several months after some sort of invasion by ill-defined, poorly understood but immensely superior predators which have effectively wiped out the human race. Those who have managed to survive have had to adapt to a virtually silent mode of living, walking barefoot everywhere, for example, or communicating by sign language. The eldest daughter, played by Millicent Simmonds, is indeed deaf herself, and the film uses its sound design very effectively to convey point of view of characters according to...